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Khajuraho Trip Planner

Whenever I think of Khajuraho, it is Dr. Devangana Desai that I first remember. I am transported back to the end of October 2015, when I listened, spellbound, to Dr. Desai, as she spoke about the Religious Imagery of Khajuraho, as part of the Indian Aesthetics course I was pursuing, at Jnanapravaha Mumbai . By the end of the lecture, I was so fascinated by the temples and their iconography, that the first thing I did when I got back home, was to check trains to Khajuraho! When I finally stood at the Kandariya Mahadev Temple two months later, craning my neck up to see as much as I could of the 84 mini- Shikaras, seeing the resemblance to the cave at Kailasa, the sense of awe was only heightened. Yet, there was an odd sense of fulfillment, seeing the same sense of awe in the eyes of my 12 year old son who accompanied me.

The Magnificent Temples of Khajuraho - Looking beyond the erotic

Jaws dropped in astonishment when I announced that I was taking my 12 year old son to Khajuraho. A barrage of questions followed. “Are you sure?” “Isn’t he too young?” “How will you explain all those erotic sculptures?” Even family members shook their heads and sighed in resignation, as I stood resolute, secure in my assertion that there was more to Khajuraho than just the erotic sculptures!

Khajuraho - The Other Heritage

The temples of Khajuraho are so magnificent, that all other monuments in the area pale in comparison. Thus, relatively newer monuments, as well as other forms of heritage, which too deserve recognition, repair and maintenance, tend to get ignored.

Khajuraho - Forms of Devi

One of the most impressive forms of the Devi at Khajuraho is on the outer wall of the Lakshmana Temple. Yogeshwari, Or Ambika... or Durga.

Khajuraho - Forms of Shiva

Shiva, at Khajuraho , like almost everywhere else, is worshipped in the form of a Lingam. No matter how elaborate and intricate the temple and its sculptures, in the sanctum stands his aniconic form. Lingam in the sanctum of the Vishwanatha Temple

Khajuraho - Forms of Vishnu

I have written about the temples of Khajuraho , and as the philosophy behind them . Yet, there is so much more to see and appreciate, so let me show you the temples through a different lens - by taking you on a visual journey of the temples through their amazing sculptures, identifying some of the many forms in which deities are portrayed. I begin with the various Forms of Vishnu.. ....

Khajuraho - The Unexpected

Khajuraho . The very name conjures up exotic images of erotic art on temple walls. However, there is so much more to Khajuraho than just the erotic, or even just temples. Last December, Samhith and I spent three days at Khajuraho, exploring as much of the ancient town as we could, and over the next few weeks, I shall try to show you the Khajuraho that we saw, beginning with this photo clicked at the Kandariya Mahadev Temple. The Kandariya Mahadev is one of the most impressive temples at Khajuraho, and it’s the details which make it so impressive. This particular figure is of Agni, the God of Fire. Here, though, he is one of the Ashta-Dikpalas , the guardians of the 8 directions. Agni guards the South-East, and it’s his placement on the South East wall of the temple, which allows us to identify him here. Notice the finer details, such as his beard…. These photos are among my favourites; among the hundreds I clicked at Khajuraho, thanks to this female Plum-Headed ...

Khajuraho - More Sculptures, and some thoughts as well!

Writing about Khajuraho was not easy, with so much already written on the temples, by those who have studied them in far more detail than I have. The form my posts eventually took was because of my attempt to classify the sculptures I had seen, to understand them in the wider context of the temples themselves. Now that I have shown you the Forms of Vishnu , Shiva , the Devi , the Ashta Dikpalas and the Ashta Vasus , let me show you a few sculptures which fit into none of these categories, but fascinated me all the same, for many reasons, and brought up a lot more thoughts as well, starting with this image of Kartikeya. Kartikeya, Lakshmana Temple

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

Khajuraho - The Temple as Cosmos

The temples at Khajuraho are , at once, awe-inspiring by their size and architectural splendour; and overwhelming by the profusion and intricacy of the detailing. There is something to admire at every level – from the minutest details only seen up close, to the overall effect as seen from afar, or, in a modern parlance, from the micro the macro scale.

The Temples of Kiradu

A flock of peacocks flew into the bushes as we alighted from our car. Samhith grabbed my camera and followed, trying to capture them on film, while I followed a little more slowly. As the narrow path widened, I caught my first glimpse of the temples of Kiradu.

Khajuraho - A Break from Temples, and a Tryst with Nature

When I set out for Khajuraho with my son, I made a deal with him. He would come with me to temples, and I would take him somewhere where there were no temples around.

Back after a long break

195 days . That’s how long it is since I wrote my last post. In the 9 years that I have been blogging, I have taken breaks, but this is the longest I have ever been able to stay away. Usually, it is writers block which keeps me away, and the itch to write which brings me back. This time, however, has been different, which is also the reason it has taken me so long to get back. The year so far has been interesting, and eventful. The first half of the year kept me busy, first with a trip to Delhi, Gwalior, Orchha and Khajuraho, then my course in Indian Aesthetics from Jnanapravaha Mumbai, and finally, a trip down South, to Chennai, Madurai and Trichy. Returning from my trips, I had assignments to complete, and lots of pending work at home. Now that my course is over, as are the travels, and my son is busy with school work once again, I finally have time on hand. And so, here I am, back to blogging! While I think about what to write, and, more importantly, where to begin...

Around Gwalior - The Majestic Palace at Datia

“Datia mein aap kya dekhenge? Wahan dekhne layak kuch bhi nahin hai” (What will you see in Datia? There is nothing to see there). That was our driver, and it was a refrain we had heard often. Ignoring him was easy. Finding our way to the palace at Datia, was not.

Orchha , The Land of Legends and Monuments

Long, long ago , a king went hunting in the forest, and found himself separated from his entourage. Following the sound of flowing water, he arrived on the banks of the Betwa, where he saw a sage meditating. Being a respectful man, he waited for the sage to open his eyes. The sage soon became aware of the king’s presence, and blessed him, directing him to the place where his soldiers waited. But the sage did the king a service beyond just pointing him in the right direction. He told him that this land on the riverbank was a sacred spot, the erstwhile capital of an ancient city. It was time for the land to flourish once again, and the king returned to build his new capital here. The king prospered, as did his dynasty, which rose to great prominence, ruling from here. However, this too, wasn’t to last forever. The dynasty declined, and so did the town, settling back into a state of inconsequence. Till it revived again, once more, this time welcoming, not royals, but visitors ...

Bhedaghat - Home of the 81 Yoginis

The Narmada flows down the mountains , carving out a path for herself as she makes her way down to the plains of Central India. She cascades from the rocks, her fine spray making it appear as if billows of smoke (dhuan) arise from the flowing streams of water (dhaar), giving it the name Dhuandhar. Dhuandhar Falls The force of her flow creates a gorge , smoothening and carving out the rocks into fantastic shapes, the pure white of the rocks standing starkly against the shades of the water. It is a joy to cruise down the river in a boat, seeing the natural contours created by the river, now famous as the Marble Rocks. We are at Bhedaghat, located on the banks of the Narmada near Jabalpur, where thousands of visitors turn up to see these natural landscapes, creations of the sacred Narmada, and pay obeisance to her. However, to me, the most interesting thing about Bhedaghat, isn’t the falls or the rocks, or even the river. What makes Bhedaghat special is t...

The Temple of Neelkanth at Alwar, Rajasthan

Deep inside the Sariska Tiger Reserve , a narrow road led us to the foothills of a mountain. There, it abruptly stopped, and we wondered how we were expected to go on. Our driver looked at me accusingly, surely blaming me for getting us all lost, in search of a temple he hadn’t heard of. Just then, a local on a bike appeared, hurtling out of nowhere. Seeing us, apparently lost, he stopped, and we asked for directions. He simply pointed to the mountain, and said the temple was up there. I was aghast, at the thought of climbing the mountain, in the heat. But then he pointed to a rough path ahead, and told us to follow it. We stared at the path, if we could call it that, in dismay. But having come this far, we didn’t want to return without trying our best. And by now, our driver had discovered his adventurous side. Metaphorically gearing up his loins, he got in, and assured us he could get us up the mountain. The next hour was a trial for our nerves, as the rocky path took us higher, an...

Lonar - The Crater Lake : Meteor, Myth, Monuments

So many shades of green – from the bright green of the leaves to the dull green mixed with brown of the mountains. Even the lake was green, though it was difficult to decide if it was the colour of the water, or simply the reflection. As the setting sun cast its last light of the day on the water, the lake appeared to be a jewel, hidden away in the mountains. We were at Lonar, the site of India’s only meteoric crater lake, and from my vantage point on the balcony of the MTDC resort, as I watched the shades of green grow dark and disappear into the darkness, I wondered if I would be able to climb down the crater and discover some of the mysteries it held.

Vaikuntha Vishnu at Masroor

I am back, after two whole weeks offline! It has been rather difficult to get back to writing, with so many thoughts churning inside my head, but, making a monumental effort, here I am, continuing with the last place I wrote about before I left – the Masroor Rock Cut Temples . We saw this image at Masroor , and neither the guide, nor friends I asked after I returned, had any clue as to who it was. The figure looks male, but what about the side faces? Those were definitely not human! I had seen something similar in a Vishwaroopa figure of Vishnu, but that one had many more faces. Besides, who were those two at the bottom he had his hands on?

The Vibrant Art of Orchha

At first glance, Orchha is all about the grand monuments that tower over the town, and present magnificent views across the Betwa river. Then, we listen to its stories, and are swayed by the twists in its history, its association with so many interesting personages, who have left their footprints behind. There are, however, even more stories waiting to be heard, but which can only be seen, when you look closer, at the art of Orccha.